I was interviewed yesterday on the subject of the poetry of Robert Burns by the Scottish Cultural Society in Tallinn. This is a good organisation that promotes a wide variety of things Scottish with a fervour that should embarrass even the most intransigent nationalist. Whether ceilidh dancing or singing the songs of Burns, or even kilt wearing, this small group constantly delight with their enthusiasm and passion for the subject of Scottish culture, broadly defined.
Since I was a teenager I have read the works of Burns and felt that he deserves a wider audience than the annual festival of the unco' guid that marks his birthday each year on January 25th. Like the Slovene poet, France Preseren, Burns speaks not just for some exclusive national feeling, but the universal themes of love, nature and politics. Yet whether the lovely pastoral of Westlin Winds or the epic song of brotherhood a Man's a Man it has seemed until recently that Burns was condemned to the shortbread tartanry that makes him seem more of a museum piece than of any modern relevance. In the end though, Burns is really a bit of a rock star and though Holy Willies Prayer and Tam O'Shanter were radically subversive at the time, it really is the songs that make Burns so accessible. Possibly my favourite (and certainly my Grandmother's favourite) is Ae Fond Kiss.
The links will take you to some modern performances of these great songs. Enjoy!